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I like learning new words. I can't sleep in an unmade bed. I want to go to every country before I die. I surround myself with as many books as possible. I want to change the world someday.

Posts tagged poetry.

The Conditional

Say tomorrow doesn’t come.

Say the moon becomes an icy pit.

Say the sweet-gum tree is petrified.

Say the sun’s a foul black tire fire.

Say the owl’s eyes are pinpricks.

Say the raccoon’s a hot tar stain.

Say the shirt’s plastic ditch-litter.

Say the kitchen’s a cow’s corpse.

Say we never get to see it: bright

future, stuck like a bum star, never

coming close, never dazzling.

Say we never meet her. Never him.

Say we spend our last moments staring

at each other, hands knotted together,

clutching the dog, watching the sky burn.

Say, It doesn’t matter. Say, That would be

enough. Say you’d still want this: us alive,

right here, feeling lucky.

-Ada Limon

lost-inmyownmind:

just-laff:

this is actually so powerful wtf Shel Silverstein 

i love shel so much

(via utnereader)

via

I shall be as good as new.

Sylvia Plath, from “The Stones” (via the-final-sentence)

(via the-final-sentence)

the rain of the ice

The horse’s pain never imagines a house beyond the storm. Its mirrored breath forms a force that dies without noise. The ice in a sickened room is not salt. Its perfume pours a rain that deletes the tacit skin.

-Eric Baus

No one’s fated or doomed to love anyone.
The accidents happen, we’re not heroines,
they happen in our lives like car crashes,
books that change us, neighborhoods
we move into and come to love.
Tristan und Isolde is scarcely the story,
women at least should know the difference
between love and death. No poison cup,
no penance.

Adrienne Rich (via rachelfershleiser)

This is a portion of the seventeenth of the Twenty-One Love Poems found in the middle section of Rich’s The Dream of  Common Language: Poems 1974-1977. Look for a new edition in bookstores this April.

(via wwnorton)

(via wwnorton)

Handfuls

Blossoms of babies

Blinking their stories

Come soft

On the dusk and the babble;

Little red gamblers,

Handfuls that slept in the dust.

Summers of rain,

Winters of drift,

Tell of the years;

And they go back

Who came soft—

Back to the sod,

To silence and dust;

Gray gamblers,

Handfuls again.

—Carl Sandburg

W. W. Norton: Essay on the Personal ›

wwnorton:

Because finally the personal
is all that matters,
we spend years describing stones,
chairs, abandoned farmhouses—
until we’re ready. Always
it’s a matter of precision,
what it feels like
to kiss someone or to walk
out the door. How good it was
to practice on stones
which were things we…

The Passing of the Year

My glass is filled, my pipe is lit,

My den is all a cosy glow;

And snug before the fire  Isit,

And wait to feel the old year go.

I dedicate to solemn thought

Amid my too-unthinking days,

This sober moment, sadly fraught

With much of blame, with little praise.

Old Year! upon the Stage of Time

You stand to bow your last adieu;

A moment, and the prompter’s chime

Will ring the curtain down on you.

Your mien is sad, your step is slow;

You falter as a Sage in pain;

Yet turn, Old Year, before you go,

And face your audience again.

That sphinx-like face, remote austere,

Let us all read, whate’er the cost:

O Maiden! why that bitter tear?

Is it for dear one you have lost?

Is it for fond illusion gone?

For trust lover proved untrue?

O sweet girl-face, so sad, so wan

What hath the Old Year meant to you?

And you, O neighbour on my right

So sleek, so prosperously clad!

What see you in that aged wight

That makes our smile so gay and glad?

What opportunity unmissed?

What golden gain, what pride of place?

What splendid hope? O Optimist!

What read you in that withered face?

And You, deep shrinking in the gloom,

What find you in that filmy gaze?

What menace of tragic doom?

What dark, condemning yesterdays?

What urge to crime, what evil done?

What cold, confronting shape of fear?

O haggard, haunted, hidden One

What see you in the dying year?

And so from face to face I filt,

The countless eyes that stare and stare;

Some are approbation lit,

And some are shadowed with despair.

Some show a smile and some a frown;

Some joy and hope, some pain and woe:

Enough! Oh, ring the curtain down!

Old weary year! It’s time to go.

My pipe is out, my glass is dry;

My fire almost ashes too;

But once again, before you go,

And I prepare to meet the New:

Old Year! a parting word that’s true,

For we’ve been comrades, you and I —

I thank God for each day of you;

There! bless you now! Old Year, good-bye!

-Robert W. Service

Michigan Central Station

as we got closer to Michigan Central Station

and you pulled over, across from the

Victorian falling apart further with ever gust

of Canadian wind, despite the graffiti on its side reminding us all,

“it’s okay,” you asked if I wanted to

get out and take a picture of this

great city gone

to ruin just

like that.

i said no.

the car was just

fine and didn’t the guidebook

say to stay in the car.

no windows, a skeleton of

the Champion City, the air circling

the left-over ticket stubs back

to the cities they came from and went to

like you, back to New York City,

the city you can’t beat down even

without the Spirit of Iron Fist

and now they’re all calling me

to join them in the silence. they

can feel

the lonely, everywhere.

they could hear my trains

last whistle

as you boarded

for home.

wwnorton:

“Matthew Dickman is big news. He is a lifeboat full of champagne and asthma inhalers; and his abundant talent and Indie-rock spirit are humanizing and reviving American poetry. His work will make you love poetry again.” —Tony Hoagland

Tumblr, we’re fond of this little excerpt from one of Matthew Dickman’s poems called “Dear Space” and thought you might like it too:

The woman I love has gone
to bed early
so I can be alone in the living room, alone
in the manic universe of August,
just me arranging
and rearranging the books like someone
packing and repacking their parachute
only I’m not jumping, only maybe the books are not
what’s saving me anymore. Maybe now
it’s reruns of The Donna Reed Show
or the Marx Brothers
or movies about people who are funny
all the time. I keep watching the same rap
video on YouTube
about the stacks of money
and what’s going to happen

Add Mayakovsky’s Revolver to your to-read shelf on Goodreads. This lifeboat full of champagne and asthma-inhalers must-have book of poems will be available on October 1st.

this man is a god.

I will remember the kisses, our lips raw with love,
and how you gave me everything you had
and how I offered you what was left of me.

Charles Bukowski, “Raw With Love” (via larmoyante)

(via maudelynn)

infinitexposure:

From, “Literary Ink: Famous Authors and Their Tattoos.”

Rick Moody has one of the coolest tattoos possible (in our opinion), because it’s part of Shelley Jackson’s Skin project, a 2095-word story published exclusively in tattoos, one word each on as many willing volunteers, so it can never be read in its proper order, but just exists, pulsing, out in the world at all times. Photo via NY Press.

Now this, I would do.

brilliant. how do i sign up?

The Laughing Heart

your life is your life

don’t let it be clubbed into dank submission.

be on the watch.

there are ways out.

there is a light somewhere.

it may not be much light but

it beats the darkness.

be on the watch.

the gods will offer you chances.

know them.

take them.

you can’t beat death but

you can beat death in life, sometimes.

and the more often you learn to do it,

the more light there will be.

your life is your life.

know it while you have it.

you are marvelous

the gods wait to delight

in you.

—Charles Bukowski

myedol:

Street Poetry by Robert Montgomery

(via utnereader)

 
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